|
The Canterbury scene (or Canterbury sound) is a term used to describe a loosely defined style of music created by a number of progressive rock, avant-garde and jazz musicians, many of whom were based in the city of Canterbury, Kent, England during the late 1960s and early 1970s. These musicians played together in numerous bands, with ever-changing and overlapping personnel, creating some similarities in their musical output. Many prominent British avant-garde or fusion musicians began their career in Canterbury bands, including Hugh Hopper, Steve Hillage, Dave Stewart (the keyboardist), Robert Wyatt, Kevin Ayers, Daevid Allen, and Mike Ratledge.〔Canterbury Scene definition. Available at http://www.progarchives.com/subgenre.asp?style=12〕 Over the years, with outside musicians joining Canterbury bands, and new bands all over the world adopting a "Canterbury sound," the term has come to describe the musical style rather than a regional group of musicians. ==Definition== The Canterbury scene is largely defined by a set of musicians and bands with intertwined members. These are not tied by very strong musical similarities, but a certain whimsicality, touches of psychedelia, rather abstruse lyrics, and a use of improvisation derived from jazz are common elements in their work.〔 “The real essence of 'Canterbury Sound' is the tension between complicated harmonies, extended improvisations, and the sincere desire to write catchy pop songs.” “In the very best Canterbury music...the musically silly and the musically serious are juxtaposed in an amusing and endearing way.” 〔RareVinylNetwork. Article entitled “The Canterbury Scene.” Available at: http://www.rarevinyl.net/canterbury.htm〕 There is variation within the scene, for example from pop/rock like early Soft Machine and much Caravan to avant-garde composed pieces as with early National Health to improvised jazz as with later Soft Machine or In Cahoots. Didier Malherbe (of Gong) has defined the scene as having "certain chord changes, in particular the use of minor second chords, certain harmonic combinations, and a great clarity in the aesthetics, and a way of improvising that is very different from what is done in jazz."〔What is Canterbury music? at Calyx, a website about the Canterbury scene. Available at: http://calyx.perso.neuf.fr/index/whatis.html〕 There is debate about the existence and definition of the scene. Dave Stewart has complained at the nomenclature as he and many other musicians identified with the Canterbury scene never had anything to do with Canterbury, the place. The former Soft Machine bassist Hugh Hopper, who lived in Whitstable, near Canterbury, said: "I think it's a rather artificial label, a journalistic thing... I don't mind it, but people like Robert (), he in fact hates that idea, because he was born somewhere else and just happened to go to school here. In the time when the Wilde Flowers started we hardly ever worked in Canterbury. It wasn't until Robert and Daevid went to London to start Soft Machine that anything happened at all. They weren't really a Canterbury band () if it helps people understand or listen to more music then it is fine." 〔 Hopper's family, however, lived in the city and the Wilde Flowers did play many of their early gigs in Canterbury, notably at the Beehive Club, in Dover Street, and the city's various colleges. It was at a Students Union-organised event at Canterbury Technical College that Soft Machine gigged with Pink Floyd – twice, before and after Floyd were signed to a record deal, and it was in a house in Whitstable (within the Canterbury City Council area) that Caravan went into rehearsal for some months before moving to London and a recording contract. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Canterbury scene」の詳細全文を読む スポンサード リンク
|